Lecture 3- The Gaze

Panopticism in Contemporary Society

Hospitals today are a prime example of Panopticism in modern day society. First of all looking at the open view wards for all to see, the wards contain “so many small theatre, in which each actor is alone, perfectly individualized and constantly visible” (Foucault) In Thomas, 2000, p64, for all to see each persons situation and state of illness.

The patients in hospital are like docile bodies, obedient and controllable under the doctor’s orders.  Patients willingly submit themselves to the doctor’s power taking their judgement and putting their trust into them. There is a form of discipline and power represented throughout the hospital.

With your details situated at the bottom of your bed, knowledge of your illness is available for all to see “this document bears the name, age, sex of everyone, notwithstanding his conditions,” (p61) and sits with you, your flaws on show to all without much you can do about it making you an object with an imperfection. Being given a title due to your illness they are basically “branding (mad/sane: dangerous/harmless: normal/ abnormal.)”

Being visible at all times patients will self regulate their behaviour because of the chance that they are being watched constantly, this causes doctors and workers “to induce in the inmate a state of conscious and permanent visibility that assure the automatic functioning of power,” (p65) meaning that patients will most likely obey they rules, follow doctors orders and judgements and will not attempt to misbehave or escape.  

Separations are unnecessary and exist merely as curtains in the wards because of the state of consciousness that is powered into patients. “There were no more bars, no more chains, no more heavy locks: all that was needed was that the separations should be clear and the opening well arranged”(p66) in order for all to be seen and create the conscious illusion in the patient’s mind, that they are visible and under control at all times.


Quotes taken from:


Thomas, J. (2000) Reading Images, NY, Palgrave McMullan

Lecture 2- Critical positions on the media & popular culture

Lecture 1- Panopticism- Surveillance & society

Semiotics

In this second image the image of a man and a woman act as the signifier. The sign is the advertisement poster itself and the aim of the image is to advertise the drink Skyy. The piece denotes selling a drink, but the way it is portrayed suggests a lot more to its audience. The advertisement has connotations of male dominance as the man is standing over the woman who is lying down. The clothes he is wearing, a suit, suggests he is of importance and possibly powerful and this adds to the dominance he has over her. The sky and the weather in the piece connote a wonderful, sunny lifestyle that comes with the drink, along with the women's choice of clothing, a bikini. This connotation of lifestyle is similar in the first image, which initially denotes a couple in love by the sea but also has connotations of a lifestyle. A lifestyle which may be seen as happy and in love but also as being rich, wearing expensive clothes and leading a wealthy life. Also being slim and glamorous and something

Both signs use a male and female to promote something, this could be connoting sharing happiness, whereas in the second image the piece portrays the woman as vulnerable and being controlled, the first image portrays a happier scene where the couple are connecting.

The women's clothes in the second image have connotations of sexual references and seeing her as an object whilst the man stand over her in a dominating position holding two glasses and a bottle of alcohol as if he has an motive of getting her drunk or similar.

Both images have connotations of an desirable lifestyle, wealth, sun and love although they work in different ways.

Preliminary Bibliography

• Benton, T, & Greenhalgh, P, et al, 1990, 'Modernism in Design' London, Reaktion Books Ltd.

• Smith, V, 2005, 'Form in Modernism a visual set' New York, Watson-Guptill Publications.

• Foster, S, 2000, 'Hans Trichter:Activism, Modernism and the Avante-garde' USA, MIT Press.

• Boris, F and Godoli, E, 1978, 'Paris 1900: Architecture and Design' New York, Rizzoli.

• Gualdoni, F, 2009, 'Bauhaus' Italy, Skira Editore.

Lecture notes- The Document